Assignment 1 - Contrasts
This assignment, not a technical assignment but an exercise in finding and photographing contrasting qualities, as this is one of the most fundamental principles in design.
This assignment is based on one set by Johannes Itten (1888-1967) who ran the basis course at the Bauhaus school of art, design and architecture in 1920's Germany. Itten's theory of composition was rooted in one simple concept, contrasts.
The assignment involves looking through photographs I had already taken or taking at least 8 pairs of photographs that best express extremes of different qualities and which bring out the essential differences. In addition I had to look for 1 photograph that demonstrates contrast in one picture.Choosing from the following list:
Large/small Long/short Thick/thin Black/white Many/few
Pointed/blunt Smooth/rough Still/moving Transparent/opaque
Liquid/solid Strong/weak High/low Broad/narrow
Light/dark Much/little Straight/curved
Diagonal/rounded Hard/soft Light/heavy Sweet/sour
These are a selection of images I have used for this assignment.
Still/Moving
This image was taken at an underground station in Budapest, Hungary with the train going right to left. My intention with the photograph was to capture the movement of the train with the static posters behind the train viewable through the moving windows of the train. Thus creating the contrast of still and moving in the one picture. I boosted the ISO to 1600 so that I could obtain the optimum shutter speed to give the sense of movement, whilst still keeping the posters behind the train sharp as this was a hand held shot.
Narrow
The claustrophobic nature of the escalator in the Budapest underground is a good example of narrow, the low ceiling the narrow confines of the sides of the escalator and the portrait orientation of the photograph all combine to give the viewer a sense of being in a reasonably tight enclosed space.
Broad
Having looked through my photograph collection, I found this one to stood out as a good example of broad. It was taken looking along Bangor pier in North Wales. The expanse of wooden flooring in the foreground and going back as far as the eye can see, coupled with the blue sky give a feeling of openness. This in turn gives the viewer the sense of the wide open expanse of the pier. Hence broad.
Weak
Strong
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